P5 - Resubmission

-

Omniya Tajni
P5: Produce an offline edit of the promo

Before making my documentary, I imported all the footage I needed for it, this included the interviews from the 3 members of the cast & crew, and then some shots from the film, where the interviewees have spoke about specifically.

Here I dragged the interviews on the timeline and the exact shots or cutaways I thought would be suitable to add in between the interview, to explain what they are talking about.

This was my offline edit before I added the cuts, transitions, title sequence, title names and music. This offline edit includes my voice asking the questions, however I will be cutting off my voice where the audience can just hear the interviewees voices. 




Comments

Post a Comment

Popular posts from this blog

M1 & D1 - Resubmission

-
Omniya Tajni M1: Analyse the different approaches used in the identified promos D1: Compare and contrast the messaging within these identified promos  When it comes to watching and analysing trailers, they all have common elements and set of expectations depending on the genre of the film; such as quick cuts between interesting moments in the film and a non-diegetic sound that is parallel to what audio-visual content is presenting. The two examples of trailers that I will be analysing is the 'Mission Impossible: Fallout' & 'Incredibles 2' trailer.  'Mission Impossible: Fallout' is a trailer for an action/adventure film and has fast cuts and transitions between actions scenes as it allows the audience to become interested and intrigued to what is going on, this adds the trailer because it leaves the audience to wonder what will happen, or how things happened. Due to it being a 6th sequel it has the 'signature music' which allows the audience to...
Read more

M2 - Resubmission

-
Omniya Tajni M2: Discuss the issues and risks involved in producing the planned promo When it comes to making the documentary, I will be needing to interview some members of the cast and/or crew, before this I will have to get them to sign a consent form, in order for them to give me permission to use the footage in the documentary and for them to not have any problem with their faces showing in the documentary. This will then cause no problems when they see themselves being shown somewhere, because they will know that they agreed to this. This is an important regulatory process because if you don't get them to sign it and they see their face being shown and they aren't comfortable with it, you can get into serious trouble.  After filming the interviews, I will then need to start editing, when editing I made the decision that I would want some background music, to flow with the interview and the shots from the film that I will be using. Before I find the cor...
Read more

P4 - First Draft

-
Image
Omniya Tajni P4: Create the production materials in line with the plan After filming my documentary interviews, I had a lot of material to make afterwards before I even started to edit. This is a picture of me recording the interviews: The location I decided to film the interviews in, was in a recording studio in my college. The reason I chose this was because it had a good sitting space, so the talking head interviews would come out right on the shots and in the background of the talking head interviews, there was a mac, on the mac there was the editing version of the film the cast members are talking about. This is the location of where I filmed: After I recorded the footage, I made an edit decision where I wrote down all the footage and decided which one was useable and beneficial to add to my documentary. This is the editing decision, I have recorded after recording the footage for my documentary: After doing this I then decided to sort my footage out in to ...
Read more